Among the myriad of emerging artists, Finding Frances shines as a captivating indie-rock collective that has captured hearts with their unique blend of melodies and heartfelt lyrics. The latest jewel in their musical crown is their third single, “Lobster Screams.” This enchanting track not only demonstrates their artistic growth but also encapsulates the essence of a generation grappling with life’s inevitable changes. Finding Frances is a musical project that was born from the threads of friendship and creativity. Comprising eight talented members, the collective has a remarkable backstory that adds depth to their music. Despite being scattered across seven different cities, the members unite annually in the charming town of Bloomington, Indiana, where their journey first began. The purpose? To spend a week together, channeling their collective energy into crafting a musical masterpiece.
At the heart of Finding Frances‘ discography lies their third single, “Lobster Screams.” The song is a soulful journey through the inner thoughts of a young adult navigating the intricate complexities of aging parents and the harsh reality of housing scarcity. The poignant lyrics “I guess I better learn to see the bright side, someday I’ll own a house when mom and dad die” capture the bittersweet contemplation of the protagonist, encapsulating a sentiment that resonates deeply in the hearts of many.
Musically, “Lobster Screams” is a work of art that seamlessly blends indie-pop and rock elements, creating a melodious groove that enthralls the listener from the very first note. Imagine the evocative stylings of Phoebe Bridgers fused with the infectious energy of Vulfpeck, and you’ll begin to grasp the sonic landscape that Finding Frances has masterfully crafted. At the forefront of this musical tapestry is Hannah Johnson, whose velvety vocals add a layer of enchantment that floats effortlessly over the intricate arrangement. The instrumentation of “Lobster Screams” is a true testament to Finding Frances’ musical prowess. Crisp guitar melodies weave a hypnotic spell, while punchy drum by Tanner Guss fills reminiscent of The 1975 infuse the track with a dynamic energy. The inclusion of nostalgic percussion sections serves as a sentimental nod to the past, enhancing the emotional depth of the song.
As “Lobster Screams” continues to make waves across the indie music scene, fans and critics alike eagerly anticipate what lies ahead for Finding Frances. Their unique approach to music-making, rooted in friendship and creative collaboration, sets them apart as a beacon of authenticity in an industry that often prioritizes trends over substance. “Lobster Screams,” is a shining example of the magic that can be created when artistic souls come together with a shared purpose. Through heartfelt lyrics, mesmerizing melodies, and an impeccable fusion of indie-pop and rock influences, the collective delivers a musical experience that resonates on a profound level. As their journey continues to unfold, one thing remains certain: Finding Frances is a force to be reckoned with in the indie-rock landscape, and “Lobster Screams” is a testament to their boundless potential.
ABOUT THE BAND:
Finding Frances is a friendship reunion turned indie-rock collective. The eight members, now spread across seven cities, each write songs for the ensemble and reconvene in the town where they all met—Bloomington, Indiana—for one week every summer to make a record. Their genre-curious, chamber-pop compositions feature an expanded palette of brass, percussion, and harp, complementing Hannah Johnson’s ethereal vocals with adventurous orchestration. The band’s lyrics speak to the anxieties of today’s young adults: economic precarity, climate change, aging parents, digital isolation, and existential dread. Sad girl breakup songs and math rock-inspired anthems are equally at home in Finding Frances’s sound world.Their debut record For Flowers Yet to Bloom is slated for an independent release in August 2023. The album was created in six days—three rehearsing at a cabin in the woods and three at Bloomington’s Russian Recording (Phoebe Bridgers, Deerhoof, M. Ward) with engineer Garrett Spoelhof. The project was mastered by indie veteran Joe Lambert (Mt. Joy, Dirty Projectors, Animal Collective, Björk, Faye Webster). Finding Frances is Tanner Guss (drums), Hannah Johnson (vocals), Alyson Kanne (harp, vocals), Matthew Waterman (trombone, vocals), Zoe Murphy (trumpet), Brendan Keller-Tuberg (bass), Ellie Pruneau (keyboards), and Talia Rose (guitar). For Flowers Yet to Bloom featured Kyle Paul on guitar.
